Leader xxxxxxxxxx
001 __ PCLIS00055511
005 __ 20210905185121.21
022 __ |atw|b4510901266
100 __ |a20210905d2020 m y1chic09 e
101 0_ |achi|jchi|jeng
102 __ |atw
115 __ |ac025baizxbxd bgxxb
200 1_ |a種樹的人|b錄影資料|e吳瑪悧|eThe process of being us : Wu Mali|zeng|f風景映畫創作社製作
204 0_ |a錄影資料
205 __ |a公開播映版
210 __ |a臺中市|c國立臺灣美術館|d2020[民109]
215 0_ |a1張數位影音光碟(約25分)|c有聲, 彩色|d4 3/4吋|e1冊手冊(14面 : 彩圖 ; 17公分)
225 2_ |a臺灣傑出藝術家紀錄片|dDocumentaries of distinguished Taiwanese artists
225 2_ |a旅途中|dA journey of art
300 __ |a題名取自光碟標籤
300 __ |a小冊子內容為中英對照
300 __ |aGPN: 4510901266
300 __ |a技術細節註: DVD
300 __ |a語文註: 國語發音; 中文, 英文字幕|uMandarin dialogue ; Mandarin and English subtitles
322 __ |a指導: 文化部; 監製: 國立臺灣美術館; 製作: 風景映畫創作社
330 __ |a\"如果一位藝術家選擇遠離藝術與商品經濟的關係,在資本社會中,藝術是否有另一條道路?本片回溯藝術家吳瑪悧自八零年代起,如何由裝置藝術轉向社群藝術的過程,並持續以藝術與社會進行抗爭,動喚起人對性別、歷史、環境與土地的關注與反思,並將藝術行動過程中的各種引發,定錨為藝術的所在,企圖使藝術成為眾人日常生活的一部分,藝術是否可能改變社會?吳瑪?以其不斷反思自身的創作生命,透過一個個藝術計畫回應了這個提問。"--蕭有志
330 __ |a\"Is there another path for art in a capitalist society when an artist consciously eschews the relationship between art and the commodity economy? This documentary traces artist Wu Mali's process since the 1980s as she shifts from installation art to community art, and in her continued engagement in social resistance through art to draw attention to, and to reflect on gender, history, environment, and land. She anchors art in daily life through the process of artistic action. Can art change society? In a creative life of continued self-reflection, Wu responds to this query through each of her artistic projects."--Hsiao Yu-Chih
333 __ |a普遍級
410 _1 |12001 |a旅途中|dA journey of art
461 _1 |12001 |a臺灣傑出藝術家紀錄片|dDocumentaries of distinguished Taiwanese artists
510 1_ |aThe process of being us|eWu Mali|zeng
517 1_ |aWu Mali
517 1_ |a吳瑪悧|zchi
517 1_ |a五位臺灣藝術家追尋藝術的生命之旅|zchi
517 1_ |a5位臺灣藝術家追尋藝術的生命之旅|zchi
600 _1 |2cst|a吳|b瑪悧|c(美術)|f1957-
606 __ |2cst|a紀錄片
606 __ |2cst|a藝術家
606 __ |2cst|a臺灣傳記
607 __ |2cst|a臺灣
681 __ |a909.933|b8834 8548
681 __ |a987.81|b8548
710 02 |a風景映畫創作社|4製作
801 _0 |atw|b內湖高中|c20210905|gCCR
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